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RippleTraining – Multicam Editing in Final Cut Pro 10.6
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During the process you’ll learn how to address sync issues in the Angle Editor and set up your multicam clips…
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RippleTraining – Multicam Editing in Final Cut Pro 10.6
- Organize & Sync Angle with Metadata
- Edit & Grade a 5-Angle Wedding
- Mix & Edit a Multitrack Music Video
- Color Correct & Shot Match Cameras
- Edit with Virtual Angles
Who this Tutorial is for:
Multicam Editing in Final Cut Pro was designed for users who want to edit and deliver projects that utilize footage that was recorded with multiple cameras. As an intermediate level tutorial, it assumes basic familiarity with Final Cut Pro’s user interface. Users who are new to Final Cut Pro should purchase Final Cut Pro Core Training before working through this tutorial.
Software Version: Final Cut Pro 10.6 or later.
Run Time: 2 hours 30 minutes
Type of Tutorial: Beginner
Project Media: Project media is included.
Multicam Editing in Final Cut Pro 10.6
1. Introduction to Multicam Editing
- Introduction
2. Working in the Angle Editor
- Introduction
- Create a New Library & Event
- Creating a Multicam Clip
- Working in the Angle Editor
- Checking & Fixing Sync
- Syncing an Angle to the Monitoring Angle
- Changing the Angle Name & Order
3. Working in the Angle Viewer
- Introduction
- Working in the Angle Viewer
- Balancing Performance & Disk Storage
- Enabling Video and Audio-only Switching
4. Editing a Wedding Ceremony
- Creating a Project
- Timeline vs. Browser Multicam Clips
- Editing the Multicam Clip
- Switching vs. Cutting
- Making the First Cut
- Cutting by Numbers
5. Fine Tuning the Edit
- Introduction
- Swapping Angles
- Changing the Editing Timing
- Editing Sans Angle Viewer
- Stabilizing an Angle
6. Color Correcting Multicam Clips
- Introduction
- Color Board Corrections
- Using the Comparison Viewer
- Saving a Reference Frame
- Auto Color Balancing
- Color Matching with Scopes
- Color Matching
- Retiming an Angle
7. Angle Assembly & Sync Options
- Introduction
- Creating a Custom Column Layout
- Automatic vs Custom Settings
- Understanding Angle Assembly
- Assigning Clip Metadata
- Camera Angle Assembly
- Camera Name Assembly
- Adding Sync Markers
- Angle Synchronization Options
- Audio Synchronization – Yes or No?
8. Timecode & Angle Clip Ordering
- Introduction
- Sync with Markers
- Sync with Timecode
- All Timecode is Not Created Equal
- Verifying Timecode with Smart Slate
- Angle Clip Ordering
- Angle Clip Ordering Options
- Consolidating Angles
- Metadata & Angle Clip Ordering
9. Working with Audio Only Angles
- Introduction
- Hardware Setup
- Adding Audio Angle Metadata
- Assigning Audio Roles
- Creating the Multicam Clip
10. Mixing a Music Performance
- Introduction
- Mono vs. Stereo
- Adjusting Level & Pan
- Compressing the Vocals
- Splitting & Disabling Angles
11. Editing a Music Performance
- Creating a Project
- Enabling Audio Roles
- Enabling Audio Roles in the Inspector
- Enabling Audio Roles in the Angle Viewer
- Performing the Edit
- The Final Mixdown
12. Multicam Split Screen Editing
- Introduction
- Transcoding to ProRes Proxy
- The Production Breakdown
- Create a Snapshot Project
- Creating the Quad Split
- FCP’s Coordinate System
- Placing the Angles in a Grid
- Saving an Effect Preset
- Creating the Quad-Split Angle
13. Fixing Production Mistakes
- Introduction
- UHD in an HD Multicam Clip
- Make Angle Corrections
- Create an Angle Copy
- Scale and Position the Angle
- Faking Sync
- Selling the Shot
Edit a Wedding Ceremony
You’ll begin the tutorial by editing a wedding ceremony that was recorded with 6 cameras. During the process you’ll learn how to address sync issues in the Angle Editor and set up your multicam clips for seamless cutting between your video and audio source clips using the Angle Viewer. You’ll also learn essential keyboard shortcuts that will save you time – including how to make fast timing changes to improve the story pacing.
Edit a Multitrack Music Video
Steve will have you editing a 3-camera music performance that includes audio from a multitrack recorder. You’ll organize these tracks into roles before creating a balanced mix using Final Cut Pro’s stereo panning options, and a few compressors to enhance the vocals. You’ll then learn how to assign the mixed angles, perform the edit, then work with audio components to create the final mixdown.
Get That Syncing Feeling
In lessons 7 and 8, you’ll be presented with every option for syncing your footage – whether you shoot with iPhones for delivery to TikTok, or with professional cinema cameras that record industry-standard timecode. Along the way, you’ll learn how to add metadata to your camera angles to make the syncing process more efficient.
Fix Production Mistakes
With multicam productions, potential problems are multiplied by the number of cameras and people involved. Steve will show you some of his best editing work-arounds for salvaging a project when one of the cameras did not record because of mechanical or human error.
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