RippleTraining – Warp Speed Editing in Final Cut Pro

Description

RippleTraining – Warp Speed Editing in Final Cut Pro

• Quickly Organize & Rate Your Media
• Master the Magnetic Timeline
• Learn Faster Trimming Methods
• Use Audition & Compound Clips Effectively
• Discover Powerful Keyboard Shortcuts

 

Who this Tutorial is for:

Editors who are already familiar with the basics of Final Cut Pro X or editors who use it infrequently and want to gain more confidence and speed. Users who are new to Final Cut Pro X should purchase our Final Cut Pro X Core Training or Final Cut Pro X Essentials Bundle before working through this tutorial.

Software Version: Final Cut Pro 10.4 or later.

Run Time:  3 hours 8 minutes

Project Media: No Project Media Included

Type of Tutorial: Workflow Specific

 

Warp Speed Editing in Final Cut Pro 10.4

1. Preparing Media

• Using Camera Archives
• Using Folder Names
• Using Finder Tags

2. Launching FCP X

• Launching with the Keyboard
• Opening Specific Libraries
• Finder Library Smart Folder
• Final Cut Library Manager
• Fast Preference Deleting
• Using an Application Launcher

3. Importing

• Setting Storage Locations
• Renaming Events
• Importing from Cards & Archives
• Copied Media Limitations
• Persistent Import Window
• Drag & Drop Importing
• Hiding Imported Clips
• Toggling Import Views

4. Organizing Media

• Setting up the UI for Organizing
• Navigating while Organizing
• Grouping & Sorting Settings
• Skimming & Skimmer Info
• Keyword Collection Tips
• Keyword Shortcuts
• Super-Fast Keyword Assignments

5. Smart Collections

• Creating Smart Collections
• Using Folders
• Leveraging Library Smart Collections
• Smart Collections & Favorites

6. Syncing Clips

• Renaming Video Clips
• Creating Sync Clips
• Sync Clips Smart Collections

7. Rating Clips

• Moving Between Browser & Sidebar
• Keyboard Driven Favoriting
• Unrating & Deleting Clips
• Filtering Clips
• Filtered Keywords Vs Smart Collections
• Catching Unrated Clips
• Removing All Keywords

8. First Assembly

• Setting the UI for Assembly Editing
• Creating the Project
• Selecting Multiple Keyword Collections
• Super-Fast Assembly Editing
• Multiple Clip Selections
• Setting Ranges While Assembling
• Revealing all Keywords & Favorites

9. Connect Edits

• Video-Only Connect Edits
• Connecting Ranges
• A Range “Gotcha”
• Backtiming Connect Edits

10. Overwrite & Replace Edits

• Overwrite Basics
• Why Connect Instead of Overwrite
• Video-Only Overwrite Edits
• Converting Connects to Overwrite
• Fast Replace Edits
• Replace Edits & the Skimmer
• Replacing & Matching Clip Duration
• Replacing from Start “Gotcha”
• Replacing Clips Under Others
• Getting Your Audio Back

11. Mine Your Gems

• The Filtering by Unused Media “Gotcha”

12. Quick Snapshots

• Making Snapshots While Editing
• The Danger of Fast Snapshots

13. Working in the Timeline

• UI Setup for Timeline Editing
• Quick Timeline Navigation
• Removing Tops & Tails
• Skimming & Trimming
• Trimming During Playback
• Trimming a Selection
• Quick Range-Playing
• Quick Edit-Point Trimming
• Adjusting the Edit Point
• Real-Time Editing
• Revealing Handles

14. Using Gap Clips

• Timing Adjustments with Gap Clips
• Using Gap Clips as Placeholders
• Other Methods for Creating Gap Clips
• The 1-Frame Gap Clip Trick

15. Timeline Shortcuts

• Selections Vs Ranges
• Selecting without Selecting
• Why Bother with Selections
• Revealing in Browser
• Moving Between Projects
• Jumping to Timecode Locations

16. Connected Clips

• Creating Connected Clips
• Selecting Connected Clips
• Selecting Without Selecting
• Adjusting Audio on Connected Clips
• Overwriting Connected Clips
• Moving & Overriding Clip Connections
• Keeping Connection Points
• Overriding the Connection Point

17. Connected Storylines

• The Benefits of Connected Storylines
• Creating Storylines by “Bumping”
• Moving the Connection Point
• Editing Connected Storylines with Clip Skimming
• More Clip Skimming Goodness
• Naming & Locating Connected Storylines

18. Creating & Using Auditions

• Browser Based Auditions
• Quick Audition Selection & Playback
• Real-Time Audition Switching
• Creating Timeline Auditions
• Hidden Duplicate Audition Track
• Why Finalize an Audition?
• Auditions for Sound Effects

19. Working with Compound Clips

• Creating Compound Clips
• Compound Clip Smart Collections
• Breaking Apart Compound Clips
• Opening Compound Clips
• Adding Handles to Compound Clips
• Another Handle Trick
• The Music Replacement Trick
• Combining Compound Clips and Connected Storylines
• Searchable Compound Clips

20. Audio Configuration

• Checking the Audio Configuration of a Browser Clip
• Adjusting Multiple Browser Clips
• Changing the Audio Configuration of Timeline Clips
• Adjusting Multiple Timeline Clips

21. J & L Cuts

• 3 Ways to Separate Audio from Video
• Expanding Audio
• Expanding Audio Components
• Detaching Audio
• Getting Audio Back
• Fast J & L Cuts

22. Voiceover Editing

• UI for Voiceover Editing
• Saving a New Workspace
• Fast Audio Editing

23.  Roles, Levels, & Ducking

• Checking and Changing Role Assignments
• Fading Audio
• Checking and Adjusting Levels
• Ducking Music
• Copying Level Keyframes
• Deleting Level Keyframes
• Relative Audio Adjustments
• Role Component-Based Level Adjustment

24. Markers

• Fast Markers
• Adding Markers to Connected Clips
• Even Faster Markers
• Markers in the Timeline Index
• Editing to the Beat with Markers
• Moving to the Primary Storyline

25. Color Correction

• Automatic Color Adjustment Commands
• Color Correction Workspace
• Color Correction Workflow
• Changing the Default Video Effect
• Copying Corrections

26. Customizing Shortcuts

• Working with the Command Editor
• Why Create Custom Keyboard Commands
• Creating Custom Keyboard Shortcuts for Color
• Automatic Speed
• Note Markers
• Connect Video Only
• Open Clip
• Align Audio to Video
• Toggling Audio Fades
• Timeline Index Commands
• Command Sets Location

27. Conclusion

 

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